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USE OF IMAGERY IN THE POEMS OF PHILIP LARKIN (Pages 152-160) by Dr. Niharika Singh in THE ENGLISH RESEARCH EXPRESS / ISSN:2321-1164 (Online); 2347-2642 (Print)

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ERE.2017/1St.Qr-20/152.160/414
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Philip Larkin was one of the greatest English poets and an eminent writer in post-war England. His first book of poetry, The North Ship was published in 1945 with the publication of his second collection of poems The Less Deceived (1955), followed by the Whitsun Weddings (1964) and High Windows (1974). In his final decade, Larkin’s poetic inspiration largely failed, and he produced only a handful of poems before his death in 1985. He was awarded with many honours, including the Queen’s Gold Medal for poetry. Larkin’s poetry has been characterized as an ordinary, colloquial style, clarity, a quiet reflexive tone, ironic understatement and direct engagement with commonplace experiences. His personality was of a solitary Englishman who hated fame and didn’t want to attach himself with public literary life. Larkin’s use of imagery is unique. He is essentially a poet of the physical world, quintessentially, a poet of observation. Keywords: Imagery, Physical, Symbolic, Speaker, World

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