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"THE HANDMAID'S TALE" AS THE MASTERPIECE OF MARGARET ATWOOD WITH CONSCIOUSNESS (Pages 81-86) by in THE ENGLISH RESEARCH EXPRESS / ISSN:2321-1164 (Online); 2347-2642 (Print)

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Article Number
ERE.2018/2Nd.Qr-12/81.86/482
Publication Year

In a intellectual bit of casting, the Handmaids themselves are some of current television’s most familiar and pluckiest women. This book does very fit what it set out to do and that also explains why one didn't thoroughly enjoy it. The readers wanted more explanations, wanted more adventure, wanted more action by the protagonist. More than that, the heroine, offered is an friendly, likable character that brings the reader precariously close to the action. Drawing an clear correlation between far correct conservative Christian movements and Muslim Sharia law dictatorial theocratic ideologies, Atwood has created a troubling vision. The Handmaid’s Tale is a dystopian or anti-utopian novel that depicts the reader with a dysfunctional prospect society. Often texts that are set in an fantasy future are actually used to criticise real aspects of the author’s hold society and it is possible to read The Handmaid’s Tale as a satire or caution. Keywords: protagonist, The Handmaid’s Tale , satire or caution, pluckiest women, Christian movements, etc.

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